// Vest
3 INVOTONE devices that make your setup sound professional
If you’re serious about sound quality, you know: a good microphone or powerful amplifier isn’t enough. You need a mixer you can actually work on, headphones that reveal the details, and why not, a bunch of built-in effects so you don’t have to lug around external boxes. From INVOTONE’s audio technology range, we’ve highlighted three devices that hold their own together or separately — in the studio, on stage, behind the DJ booth, or in the rehearsal room.
1. INVOTONE MiX.12FX
The MiX.12FX is a 12-channel analog mixer with a built-in DSP effects processor and compressor. Yes, you read that right: no separate rack needed, no software required, everything’s on board. 4 mono channels with XLR and jack inputs, each with 3-band EQ where the mid-frequency is adjustable — that’s rare in this price range. Plus 4 stereo channels, 2 RCA inputs, phantom power for condenser microphones.
The compressor operates with 0–9 dB gain range and 5–20 dB threshold, while the DSP offers 10 effects: vocal, hall reverb (small and large), echo, flanger, plate, chorus, rotary, tremolo. Every channel has AUX send, so you can throw together a monitor mix in moments. Frequency response 20 Hz–120 kHz, signal-to-noise ratio above -100 dBr, distortion below 0.01%. For smaller studios, live sound reinforcement where you don’t want to bring a separate effects unit — brutally practical.
2. INVOTONE MX6FX
If 12 channels is overkill but you could easily fill six, here comes the INVOTONE MX6FX. 6-channel mixer with DSP effects, 2 mono channels with XLR and balanced jack, 48V phantom power, gain control, switchable 75 Hz low-cut filter. The other 4 channels work in mono or 2 stereo mode, with balanced jack connectors. 3-band EQ throughout, 2-band RCA input and output.
What’s it good for? Small band rehearsals, podcast setups, home studios where you don’t need dozens of channels but need a decent mixer that can also handle effects. Compact, clear layout, quick to set up — exactly what a 6-channel mixer should be.
3. INVOTONE HD2000
In third place is a closed-back dynamic headphone, the INVOTONE HD2000. 50-millimeter driver, 32-ohm impedance, 10 Hz–25 kHz frequency response, 101 dB sensitivity. Easily driven from mobile devices, mixers, or DJ controllers, and loud enough to hear what you’re doing in noisy environments.
The 2-meter cable comes with gold-plated 3.5 mm and 6.3 mm jack connectors — so it’s ready to use in the studio and on stage right away. Closed-back design: sound doesn’t leak out, and external noise doesn’t come in too much. 200 grams total, which won’t become torture during longer sessions. For DJ work, monitoring, studio use — anywhere clarity and isolation matter.
How to choose?
If you’re looking for a mixer and can use 12 channels, DSP effects and a compressor, then the MiX.12FX is yours. If the production is smaller but you need effects and phantom power, then the MX6FX is more practical. And if you’re looking for headphones that are closed-back, dynamic, wide frequency range and won’t crush your head — then the HD2000 is what you’re after. All three INVOTONE, all three in stock, all three do what they’re supposed to. Technology that works.
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