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3 Invotone devices you can't throw a party without
Sometimes you don’t need big brand flash, just a well-functioning device that quietly does its job. The Invotone series is exactly that: practical, thoughtful audio equipment that you’ll actually use behind the console, in the studio, or in the rehearsal room. We’re presenting three pieces that complement each other — and that are worth getting as a set.
1. INVOTONE HD2000
The INVOTONE HD2000 is a closed-back dynamic headphone that truly performs where you can’t afford not to hear the signal clearly. At the DJ booth, live monitoring, studio work — anywhere the environment is noisy but your decisions can’t be imprecise. The 50mm driver works with 32-ohm impedance, so you can drive it from a phone, mixer, controller — anything. The 10 Hz–25 kHz frequency response covers everything from deep bass to crystal-clear highs, and the 101 dB sensitivity provides enough volume even when there’s chaos around you.
The cable is 2 meters long, with gold-plated 3.5 and 6.3 mm Jack connectors — no adapters needed, just plug in and go. Closed-back design means sound doesn’t leak out, and outside noise doesn’t break in as much. 200 grams, which isn’t tiring during longer sessions. A headphone that simply works — and that’s exactly what you need.
2. INVOTONE MX6FX
The INVOTONE MX6FX is a 6-channel mixer with built-in DSP effects. 2 mono channels have both XLR and balanced jack, 48V phantom power for condenser microphones, gain control and switchable 75 Hz low-cut filter. Plus 4 mono or 2 stereo channels with balanced jack inputs. Each has 3-band EQ, 2 pairs of RCA in/out — perfect for smaller mixes, backstage monitoring, or studio use.
The built-in DSP means you don’t need a separate effects unit: reverb, delay, modulation — what you need is in there. Compact, fast, clear. Just enough channels for an average small production, but the interface isn’t overcomplicated.
3. INVOTONE MiX.12FX
The INVOTONE MiX.12FX is a 12-channel analog mixer with a built-in compressor and a 10-effect DSP processor. 4 mono channels usable with microphone or line signal, each with 3-band EQ and adjustable mid frequency. 4 stereo channels, 2 RCA stereo inputs, phantom power — everything you need for a more serious small mix is there.
The compressor works with 0–9 dB gain and 5–20 dB threshold range, which is enough to keep your sound under control live or during recording. DSP effects include vocal, small room, large hall, echo, flanger, plate, chorus, rotary, tremolo — each preset for both guitar and vocals. Every channel has separate AUX send, so you can throw together a monitor mix in minutes.
Frequency response 20 Hz–120 kHz, signal-to-noise ratio above –100 dBr, distortion below 0.01%. These aren’t marketing numbers — they’re working parameters in a category where there’s still a lot of compromise. Not here.
How to choose?
If you want to handle monitoring, mixing and effects in one place, these three devices build on each other. With the HD2000 you hear what you’re doing. With the MX6FX you mix quickly when you have a small crew. With the MiX.12FX you put together a more serious production, with compressor, effects, cleanly. You don’t have to expect miracles from them — just that they work. And they do.
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